Also Ivan Sen’s Mystery Road uses the mise-en-scene, camera angles and tightly focused sections of dialogue to tell a complex, but visually full of information Have a look at Warwick Thornton’s work Samson & Delilah.

And to ram the point home watch these two Australian films made by well-known Indigenous Australians. The cinema is a visual medium with a filmic language of its own - and once you begin to read these visual cues and especially what's called mise-en-scene. You folks who rely on dialogue to follow the whole story are really letting yourselves down. Goddamn it! Denis had to cut the film down to just under three hours. I saw a YT 'review' by some schmuck who complained that it took too long for the characters to answer each other.

Not a single one of the people at the court, nor the police, noted one of the most iconic lines in one of the most iconic two films that are the Bladerunner cycle, about which I have completed much study, both the 2007 cut of Bladerunner and Villeneuve's crackin' 2049. We spoke more, and the fuckwittiest thing that happened in the whole ordeal was me explaining my actions were naught but a piece of theatre and that it had been 'A TEST DESIGNED TO PROVOKE AN EMOTIONAL RESPONSE' This sentence made its way into court via cuntstable fuckwit's report.

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